Siena Attractions
Siena, chief town of its province, lies in the uplands of Tuscany, between the Colline Metallífere and the Chianti hills. Its soil yields a natural pigment formerly much used by painters ("burnt Sienna").
History
Siena was a place of no consequence in Roman times, when it was known as Saena Julia.
History
Siena was a place of no consequence in Roman times, when it was known as Saena Julia.
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Abbazía di Sant'Ántimo
The Abbazía di Sant'Ántimo was founded in 813 although the structure today dates from the 12th or 13th C. Notable architectural features include an ornate doorway and numerous richly decorated columns.
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Cathedral of Santa Maria Assunta
Siena's Cathedral of Santa Maria Assunta is considered by some to be Italy's finest churches and is a major tourist attraction. The façade created by Giovanni Pisano is particularly impressive.
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National Gallery
The National Gallery in Sienna holds fine works of art by Sienese artists and focuses on the time period of 12th to 16th C. Notable artists include Guido da Sienna and Ambrogio Lorenzetti.
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Piazza del Campo
Siena's Piazza del Campo is one of the main features of the city. This large open area has interesting pavement designs and the fountain at the top end, Fonte Gaia, dates from 1419.
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The Town
The old town of Siena is located at the junction of three ridges and is largely a pedestrian only zone.
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Town Hall
The Siena Town Hall stands proudly on the edge of Piazza del Campo, and features a significant tower. This Gothic structure was built in the late 13th and early 14th C.
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Church of the Santíssima Annunziata (Santa Maria della Scala)
(Ospedale di Santa Maria della Scala)
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Monte Amiata
Monte Amiata is an extinct volcano which is today the highest peak in Tuscany.
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Monte Oliveto Maggiore
The hilltop Monte Oliveto Maggiore was built in the 14th C. Among the highlights are the frescoes lining the cloister.
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Oratorio di San Bernardino
(San Francesco)
The Oratorio di San Bernardino shows fine frescoes by a number of well known 16th C artists.
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Palazzo Piccolómini
The 15th C Palazzo Piccolómini was built by Pietro Paolo and designed by Bernardo Rossellino. It now contains the National Archives.
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Palazzo Salimbeni
(Sights to Northeast)
Palazzo Salimbeni is a 14th C Gothic building which stands on the Piazza Salimbeni and is today occupied by a bank.
Archbishops Palace
Opposite the north side of the cathedral in Siena is the Palazzo Arcivescovile (Archbishop's Palace), built in 1718-23 in 14th century Gothic style - a surprisingly early example of Neo-Gothic, designed to preserve the architectural unity of the square. The ground floor of the palazzo has the same kind of facing in two colors of marble as the cathedral.
Fonte Branda
Below the apse of San Doménico is the Fonte Branda, a fountain which is mentioned in the records as early as 1081. The present form of the fountain-house with its three Gothic arches is mainly due to Giovanni di Stéfano.
Fontegiusta
In the northwest corner of the old town, at the Porta Camollia, is the Chiesa di Fontegiusta, a hall-church built in 1482-84 by Francesco di Cristóforo Fedeli and Giácomo di Giovanni. In the brick facade is a fine marble doorway by Urbano da Cortona (1489). The church contains a beautiful marble tabernacle (16th century) and, on the left-hand wall, a fresco by Baldassare Peruzzi, "The Sibyl announcing the Birth of Christ to the Emperor Augustus" (c. 1528).
Forte di Santa Barbara
From San Domenico we can go either northwest along the Viale dei Mille, past the Stadium, or north round the Stadium to a beautiful park, the Passeggio della Lizza, with a monument to Garibaldi (1896). At the west end of the park is the entrance to the Forte di Santa Barbara, a fortress built by Duke Cosimo I in 1560, which is now used for open-air performances.
Horse Race
Participants (members of the ancient city) compete for the banner in bareback and procession horse races held on July 2 and August 16.
Logge del Papa
A little way east of the Palazzo Piccolómini can be seen the elegant Logge del Papa, a three-arched loggia by Antonio Federighi (1462) - so called because it was commissioned by Pope Pius II (Eneo Silvio Piccolómini) in honor of his family.
National Archaeological Museum
To the northwest of the Palazzo Tolomei the Museo Archeológico (Archeological Museum) has material ranging in date from the Stone Age to the Fall of the Roman Empire, mostly from the city and surrounding area, with a particular concentration on the Etruscans. The exhibits include marble and terracotta urns, ash-chests, bronzes and an excellent collection of coins.
Palazzo Spannocchi
To the right of the Palazzo Salimbeni is the Palazzo Spannocchi, built by Ambrogio Spannocchi, Treasurer to Pope Pius II; the architect was Giuliano da Maiano. This elegant Renaissance building is fronted by loggias of 1880 by Giuseppe Partini.
Palazzo Tolomei
From the Croce del Travaglio the Banchi di Sopra and its continuation run north. On the left-hand side of the Palazzo Tolomei, one of Siena's oldest palazzi, built in 1205 and altered in 1267. The two-story facade has double Gothic windows with elegant tracery.
Porta Romana
A short distance south of Santa Maria degli Servi stands the Porta Romana (1327), an imposing gate in the old town walls.
San Cristóforo
Opposite the Palazzo Tolomei in Siena is the Church of San Cristóforo, originally Romanesque but completely remodeled in the 18th century. The church has a fine wooden Crucifix of the 14th century and on the high altar a Baroque marble sculpture by B. Mazzuoli of San Bernardo Tolomei (d. 1348).
Sant'Agostino
Southeast of the National Gallery, in the Prato Sant'Agostino, is the Church of Sant'Agostino, originally belonging to an Augustinian house, which was built in 1258 and altered at the end of the 15th century and again in 1755. In the Baroque interior (aisleless) are pictures by Perugino ("Crucifixion", 1506); Matteo di Giovanni ("Slaughter of the Innocents", 1482); and Sodoma ("Adoration of the Kings", 1528).
Santuario Cateriniano
A little way east of the Fonte Branda, in Via Santa Caterina, is the Sanctuary of St Catherine. St Catherine of Siena (1347-80), the daughter of a dyer named Benincasa, prevailed on Pope Gregory XI to return from Avignon to Rome in 1377. The best known of her visions was her "mystic marriage" to the Infant Christ, a favorite theme with painters. The fine Renaissance doorway has the Latin inscription "Sponsae Kristi Catherinae Domus" ("House of Catherine, Bride of Christ").
Valdichiana - Lucignano, Italy
(Near Siena)