St Mark's Square, "la Piazza" for short, is Venice on parade, the point around which Venetian life revolves. Considered one of the finest squares in the world, it conveys a perfect impression of the city's former greatness since round it are grouped the buildings on which were centered the civic and religious life of the Republic. Surrounded on three sides by the arcades of public buildings - the Procuratie Vecchie (north), the Ala Napoleonica (west) and the Procuratie Nuove (south) - the integrated beauty of this unique square is rounded off by the domes and arches of the Basilica di San Marco (east) and the slender, soaring Campanile.
The square, paved with trachyte, is completely open without a single monument or roadway to detract from the unbroken architectural unity. The only traffic is the visitors (and the famous pigeons).
The square becomes narrower as it approaches the Ala Napoleonica, which gives it considerable greater depth: over an average length of 175m/574ft it narrows from a width of 82m/269ft) at the Basilica to 56.6m/185.5ft at the other end.
Originally the Piazza was full of fruit trees with a canal running across it. The completion of the Basilica and the enlargement of the Palazzo Ducale also saw a start made on landscaping the square. First came the Campanile (begun in 912 and completed in the 12th century, followed in 1204 by the Procuratie Vecchie; the fruit trees disappeared, the canal was filled in and in 1267 the square covered with paving slabs. 1583 saw the building of the Procuratie Nuove. Having been paved with marble in 1735 (the big white squares originally marked the sites where the individual craftsmen's guilds were allowed to erect their market stalls), the square finally acquired its present aspect with the building of the Napoleonic Wing.
Until the fall of the Republic the Piazza di San Marco was a "market-place". Today it is a place to see and be seen, to stroll in or to sit and listen to the bands playing at the square's world-famous cafes.
The pigeons of San Marco are also part of the picture. Fed at the public charge (although there are no set feeding-times), they are the acknowledged protégés of the Venetians. Whatever their origins - whether descended from the birds brought to the lagoon in the fifth century by the early Venetians on their flight from Attila, or from those set free by the Doges each Palm Sunday, or even from the carrier pigeons that brought the news of the capture of Constantinople in 1204 - they are an institution.
The Palazzo Contarini del Bovolo is probably the only palace in Venice which has a courtyard that is more interesting than the facade overlooking the Canal (in this case the Rio dei Barcaroli). In the courtyard is the famous Scala di Bovolo, a spiral staircase built about 1500 by the architect Giovanni Candi, which gave the palace its nickname ("Bovolo" = spiral).
The west side of the Piazza di San Marco in Venice is formed by the Ala Napoleonica which was built in 1810 by order of Napoleon I.
The work was entrusted to the architect Giuseppe Soli who simply copied the two lower floors of the Procuratie Nuove, omitted the third floor in order not to spoil the proportions of the Procuratie Vecchie, and topped his building with a heavy attic fronted by statues to bring it up to the height of the Procuratie Vecchie. The Ala Napoleonica contains the entrance to the Museo Correr.
Close to the Ponte dell' Accademia in Venice, the façade of the Palazzo Cavalli-Franchetti provides an excellent example of Late Gothic architecture. The building, which dates from 1565, was carefully restored in the 19th century. Of particular interest are the richly ornamented window frames. Part of the rear of the palace was enlarged in Neo-Gothic style. There is a small garden between the building and the Accademia bridge.
The staircase is considered one of the sights of Venice.
Art connoisseurs find the Baroque facade of the church (built by Alessandro Tremignon in 1668) too rich and over-ornate. but the people of Venice love their "San Moisè" with its typical Venetian bell-tower.
Worth seeing in the interior are a "Pieta" dating from 1732 (interior wall of the facade), a bronze relief of the Deposition (designed by Roccatagliata brothers in 1633; Sacristy altar), and the Baroque sculpture on the High Altar depicting Moses receiving the Tablets on Mount Sinai (by the Austrian Meyring).
Address: San Moisè, Campo San Moisè, I-30124 Venice, Italy
This 18th century church has a single nave lined with reliefs and statues by Giuseppe Bernardi, the teacher of Antonio Canova. It also contains an early work by G.B. Tiepolo, "Anna, Joachim and Mary" (1732; first side chapel on the right) and a masterpiece by G. B. Piazzetta, "St Filippo Neri begging for the Poor" (1725-27; second side altar on the left).
The Town Hall in Venice consists of the Farsetti and Loredan palaces. Although the upper floors were altered in the 14th century, the ground floor of each palace has retained the 13th century Byzantine floor plan.