Valletta - St John's Co-Cathedral 



On the south side of Great Siege Square is the famous "St John's Co-Cathedral (I673-77), one of Europe's finest churches, designed by Gerolamo Cassar, the first architect of the Order of St John. Dedicated to St John the Baptist, it was built at his own expense by the French Grand Master, Jean l'Evêque de la Cassière as the conventual church of the Order. In 1816 Pope Pius VII granted it the status of Co-Cathedral, ranking equal with Mdina Cathedral.
The facade, flanked by two square Renaissance towers, is relatively austere, and the doorway, surmounted by a balcony on which the Grand Masters presented themselves to the Knights after their election, is also very modest. After the knights left Birgu (Vittoriosa) in 1571, there was a need to replace St Lawrence's church with a new conventional church for the brotherhood of the entire Order of St John. Cassar designed a clean but heavy facade in homage to the austere military attitudes of the time.
Work commenced in the fall of 1573 on a simple but somewhat heavy Renaissance-influenced plan: a wide screen facade, an entrance between two Doric columns with bell-towers on either side (the spires of which were removed during World War II). The interior plan was also conventional, with a single rectangular nave underneath a great barrel vault with an apse at the northeast end and eight side chapels, one for each of the langues, between the massive reinforcing buttresses.
The church was consecrated on February 20, 1578, and was built and paid for by the French Grand Master de la Cassiere. Other parts of the building were added later; the sacristy in 1598, the oratory in 1603, and the loggia annexs in 1736. The two cannons date from 1600 and 1726; the former, with lion handles, bears the Battenburg coat of arms. The latter bears the arms of the Grand Master de Vilhena.
The facade, flanked by two square Renaissance towers, is relatively austere, and the doorway, surmounted by a balcony on which the Grand Masters presented themselves to the Knights after their election, is also very modest. After the knights left Birgu (Vittoriosa) in 1571, there was a need to replace St Lawrence's church with a new conventional church for the brotherhood of the entire Order of St John. Cassar designed a clean but heavy facade in homage to the austere military attitudes of the time.
Work commenced in the fall of 1573 on a simple but somewhat heavy Renaissance-influenced plan: a wide screen facade, an entrance between two Doric columns with bell-towers on either side (the spires of which were removed during World War II). The interior plan was also conventional, with a single rectangular nave underneath a great barrel vault with an apse at the northeast end and eight side chapels, one for each of the langues, between the massive reinforcing buttresses.
The church was consecrated on February 20, 1578, and was built and paid for by the French Grand Master de la Cassiere. Other parts of the building were added later; the sacristy in 1598, the oratory in 1603, and the loggia annexs in 1736. The two cannons date from 1600 and 1726; the former, with lion handles, bears the Battenburg coat of arms. The latter bears the arms of the Grand Master de Vilhena.
Hobbies & Activities category: Paintings, art collections; Town walls, fortifications, gates; Christian sites; Architecture - Renaissance; Tombs, burial site; Towers, monuments, observation deck
St John's Co-Cathedral Highlights
Interior
After this simple exterior of St John's, the richness and the breathtaking magnificence of the interior are of overwhelming effect. Particularly impressive are the side chapels of the various
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Chapels and Sanctuary
Walking clockwise beginning to the left of the main door, you can see Cassar's original layout of the chapels. The narrow ambulatory that now exists was cut through the walls on Preti's instigation
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Anglo-Bavarian Chapel / Chapel of the Relics
The Anglo-Bavarian Chapel is also known as the Chapel of the Relics. Essentially a large niche, it was given to the langue in 1784 and held the principal collection of the knights reliquaries until
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Blessed Sacrament
The Chapel of the Blessed Sacrament, also known as Our Lady of Philermos, is a much venerated chapel. The most important remaining work is the Renaissance Cross, dating from 1532. Tradition says
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Chapel of Auvergne
In the Chapel of Auvergne, the only mausoleum belongs to Grand Master Chattes Gessan, whose distinction comes from having had the briefest reign of any grand master, less than four months in 1660.
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Chapel of France
This is dedicated to St Paul, and was restored in the 1840s by those who wished to purify Christian art and eradicate the Baroque legacies. The walls and altar were changed and the only principal
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Chapel of Italy
The Chapel of Italy houses the painting of St Jerome, the second of Caravaggio's works in Malta. It was stolen from St John's Museum in 1984 and recovered in 1987 after which it was restored and
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Chapel of Provence
Provence was the most senior of the langues, and the chapel is dedicated to St Michael. The imperial eagle from Grand Master Lascaris's coat of arms are on the wall and he and his successor, Grand
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Grand Master's Crypt
In the Crypt are the sarcophagi of 12 Grand Masters, including the Monument of Philippe Villiers de l'Isle Adam, who brought the order of St John from Rhodes to Malta. Adjoining is the Tomb of Jean
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Mausoleum
The mausoleum in St John is in honor of Italian Grand Master Zondadari, nephew of Pope Alexander VII, who was once an inquisitor in Malta.Nave
The entire pavement of the nave is made up of more than 400 tessellated tombs of Knights of St John. The earliest, in the Chapel of Aragon, dates from 1602. The symbols range from simple to garish,
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Sacristy
In the Sacristy, to the left of the main entrance, can be seen old vestments and some fine paintings by Preti.
Antoine de Fairy's terrific portrait of Grand Master Pinto is one of the island's
Antoine de Fairy's terrific portrait of Grand Master Pinto is one of the island's
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Vault
Nikolaus Pevsner, the art historian, states that Mattia Preti's work depicting the life of St John the Baptist in the vault of St John's is "the first realized example of high Baroque art anywhere
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Museum
The Cathedral Museum contains a number of notable items, including 14 Flemish tapestries after cartoons by Rubens and Poussin.
From outside the oratory, and from some of the museum's upstairs
From outside the oratory, and from some of the museum's upstairs
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Oratory
The oratory of St John's Co-Cathedral in Valletta was built at the request of Grand Master Alof de Wignacourt in 1603, as a place of worship and for adult novices waiting to be admitted to the
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The Beheading of St John the Baptist
As a painter, Carravaggio was defined by his ability to transform religious objects into almost three-dimensional lift, something the prevailing mannerist artists had been unable to do. For many of
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