Monreale Cathedral

... More >

figure between the Archangels Michael and Gabriel and the apostles Peter and Paul. The sequence of pictures reaches its climax in the half-dome of the apse with the monumental picture of Christ the Pantocrator, his majestic face dominating the whole interior. With his right hand raised in a gesture of benediction, he holds in his left hand the opened book with the words: "I am the light of the world."

... More >

end, with the upper row of pictures: the story of the Creation up to Adam in Paradise. On the shorter west wall the pictures continue with the creation of Eve, on the north side: the Fall of Man, expulsion, Cain, Noah's orders to build the ark.

Continuing once again on the opposite-facing south side, with the lower series of pictures (left to right): Noah's ark, Abraham and the three angels. The west wall adds Lot and the destruction of Sodom in its middle section.

The story of Abraham is continued on the north side with the sacrifice of Isaac. The story of Isaac and Jacob follows, up to the point of "Jacob's struggle with the angel".

... More >

In common with Byzantine Eastern Orthodox tradition, it consists of three areas: a chancel between a prothesis and diaconicon.

In front of the crossing pillars in the central aisle, underneath mosaic pictures of William II, stand the thrones of the king (on the left) and the bishop (on the right).

... More >

original tiled chest was removed in 1575. In the left-hand side of the sanctuary are the tombs of William I's wife, Margaret, and his sons, Roger, Duke of Apulia, and Henry, Prince of Capua. On the left wall there is the urn with the heart of the canonized French King Louis IX, who died in 1270 during his crusade to Tunis.

... More >

(16th century) with reliefs by G. B. Marino (1728) and a "Gloria di San Benedetto" by I. Marabitti (1776). At the west end of the south side aisle there is access to the steps leading up to the cathedral roof (180 steps, view).

... More >

the apostles Paul (on the left) and Peter (on the right); under the picture of their martyrdom we see them each as timeless enthroned figures. The two apostles are also depicted at the head of the choir, between the transept and the apse.

On the south crossing-arch we see above us Zacharias, the Annunciation, Mary's visitation, the flight to Egypt. The continuation is opposite on the arch on the north side: the three Kings, the slaughter of the Bethlehem children. Underneath is the baptism of Jesus and the miracle at Cana.

We then move back to the opposite side where the south wall depicts the Temptation and Transfiguration, as well as the beginning of the Passion (Gethsemane). The north wall continues the story of the Passion with the Crucifixion and adds the apparitions of the risen Christ up to the festival of Pentecost.

... More >

depicted twice on the crossing pillars: first being crowned by Christ (on the left, over the King's throne) and then giving the Mother of God the model of the church founded by him at Monreale (on the right, over the bishop's throne). The King wears - like his grandfather Roger II on the coronation mosaic in the Martorana in Palermo - the regalia of the Byzantine emperors, yet the inscription is not in Greek (as with Roger), but in Latin - an indirect allusion to the gradual severance from Byzantium and the growing influence of Latin culture.

... More >

decorations made of bright chalk-tuff and black lava, it epitomizes the liturgical dignity, which is characteristic of this part of the church in its interior as well.

The two bronze portals are also noteworthy. The west portal, the work of Bonnano Pisano (1186), and at 7.80 x 3.70m/26 x 12ft the largest bronze door of its age, has 42 squares, each depicting a biblical scene. Four reliefs make up the base, fantastic animals, symbolizing man's foolishness. The smaller north portal by Barisano da Trani (roughly contemporaneous) has 28 panels depicting saints and evangelists.

... More >

south wing is also still extant. The cloister occupies a square 47 x 47m/154 x 154ft. The 26 arches on each of the four sides open on to the luxuriant and brightly-colored garden. They are supported by double columns (228 in all) with double capitals. These columns are either smooth or encrusted with colored stones, no pair of columns being like another. In the corners we find four smaller columns with relief work.

... More >

is where the water runs out. Even more imaginative than the columns is the sculpture on the double capitals: they show plants, animals, human beings, acrobats and archers, griffons and other fantastic creatures as well as biblical themes, such as the story of the Passion (the women around the grave). This whole wealth of decorative and narrative elements can only really be appreciated by a very leisurely walk round. The visitor's attention is drawn in particular to the 19th capital on the west side, which shows King William II offering the model of the church to the Madonna; also the capital resting on four columns in the southeast corner of the cloister with its masterly composition based on the following themes: 1. Annunciation; 2. Visitation, an angel appearing to Joseph; 3. Christ's birth, proclamation to the shepherds; 4. The Three Kings.

... More >

following the example of Montecassino and thus moving away from Eastern Byzantine concepts of space. On the other hand the spirit of Byzantine culture is very much present: notably in the superb mosaics which are everywhere. They cover all the walls, no less than 6340sq.m/68,250sq.ft. What artists from Constantinople, together with local mosaicists, were able to achieve in the short time between 1179 and 1182, is overwhelming.

... More >

separated by 2 x 9 mainly ancient columns with rich Corinthian capitals which support ogival arches. The central aisle has a richly painted open roof truss (faithfully restored after a fire in 1811). Over the crossing an octagonal dome is thought to have been planned, but never executed. The marble floor dates from the time of the original building, apart from a few refurbishments which took place in 1560.

The central aisle is composed of Old Testament scenes, the side aisles show the miracles of Jesus.