10 Top Tourist Attractions in Lucca & Easy Day Trips
Like much of Italy, Lucca has a history of domination by a long list of invaders and rulers: Romans, Ostrogoths, Lombards, Franks, Verona's Scaligeri, Florence, Napoleon (who gave it to his sister Elisa Baciocchi), and the House of Bourbon. Through it all, Lucca managed to build a beautiful city that played a prominent part in the history of architecture from the Lombard period onwards. Although its early medieval churches, partly built with ancient material, were altered and restored in the 12th century, the churches you see today are among the most beautiful in Tuscany. Walk the encircling walls for an overview, then settle in to enjoy one of Italy's most endearing small cities.
The marvelous Romanesque facade with arches and delicately carved columns is a clue to the treasures inside Lucca's cathedral, which was rebuilt in the 13th century from an earlier church. The portico was decorated in the mid-13th century with fine sculptures by Lombard artisans. In the main doorway are four beautifully carved 13th-century scenes from the life of St. Martin, by Nicola Pisano. Attached to the right side is a massive campanile, 69 meters high, of light-colored travertine and brick. Carved into the right pier of the portico is a labyrinth, especially interesting because it may predate the famous Chartres maze of the same pattern.
Just inside on the right is the famous early 13th-century stone carving of St. Martin and the beggar, one of Lucca's finest examples of Romanesque sculpture. Other highlights of the richly endowed 14th- to 15th-century interior are the pulpit by Matteo Civitali (1494-98); paintings in the sacristy by Doménico Ghirlandaio; stained glass in the apse dating from about 1485; a statue of St. John the Evangelist by Iácopo della Quercia to the left of the sanctuary; and in the adjoining Cappella del Santuario, the beautiful 1509 Madonna by Fra Bartolommeo. In the left transept is the impressive early 15th-century tomb of Ilaria del Carretto, a master work by Iácopo della Quercia. The cathedral's greatest treasure is the Volto Santo, an effigy of Christ on the Cross. Reputedly carved by Nicodemus from cedarwood, the venerated effigy is carried through the streets in a solemn procession each September 13th. The cathedral museum has other treasures, such as medieval hymnals and intricate gold work, including a crucifix by Pisani.
Address: Piazza San Martino, I-55100 Lucca
Accommodation: Where to Stay in Lucca - TripAdvisor.com
2 San Michele in Foro
With its stunning façade rising in tiers like a decorated wedding cake and its placement in a broad piazza in the historic center of the city, it's no wonder that San Michele in Foro is so often mistaken for Lucca's cathedral. Standing on the site of the Roman forum, the church of San Michele was built from the 12th to the 14th centuries, and its façade of carved and inlaid marble is breathtaking, seldom repeating a design on its four layers of intricately worked pillars. Towering above them is a larger-than-life-size Archangel Michael. The Romanesque character of the interior has been preserved and is highlighted by the terracotta Madonna and Child by Andrea della Robbia and in the left transept, a 15th-century painted panel of saints Roch, Sebastian, Jerome, and Helen, one of Filippo Lippi's finest works.
Address: Piazza San Michele, Lucca
3 Guinigi Tower
In the center of the walled old town, you can't help noticing a massive tower with holm oaks growing on the top. It belongs to the Case dei Guinigi, a complex of two mansions belonging to the noble family that brought Lucca a period of peace and prosperity at the beginning of the 15th century. The two palaces, standing opposite one another, were built in the 14th-15th centuries and later altered; one now houses the National Museum. You can climb the tower and view the city from beneath the trees at a height of 44.25 meters.
Address: Via S. Andrea, Lucca
4 The Town Walls
The old town of Lucca is enclosed within a circuit of walls 4.195 kilometers long with eleven bastions and six gates. These walls, which are 12 meters high and 30 meters thick at the base, were built by Flemish engineers between 1504 and 1645 to protect the rectangular area of the town. Between 1823 and 1832, Maria Luigia of Bourbon (the sister of Napoleon, to whom he had given Lucca as part of the Duchy of Parma) had the old fortifications converted into a public garden. Don't miss walking - or bicycling -- around the tree-shaded ramparts for views of the old town with its palazzi and churches. The old town gates are also interesting, in particular the Porta San Pietro on the south side, the Porta Santa Maria on the north side, and the Porta San Donato at the west end.
5 Anfiteatro Romano (Roman Amphitheater)
Strolling Lucca's historic center, you can't help noticing the peculiar curve of some streets. If you look closely, you'll see some unusual filled-in arches in the stonework of the buildings, and will eventually come to a passageway leading into Piazza del Mercato. This odd oval space surrounded by multi-storied buildings was once the interior of Lucca's Roman arena, and the buildings follow the footprint of its massive stone walls, having been built into its remains. The Roman amphitheater was built in the second century BC and was largely destroyed during the barbarian invasions; its remains now lie several meters below street level. During the Middle Ages, houses were built on the walls of the superstructure, preserving the oval outline of the arena.
6 San Frediano
The Church of San Frediano, dedicated to a sixth-century Bishop of Lucca, was built between 1112 and 1147 and originally had the usual orientation, with the chancel at the east end. In the 13th century, however, it was heightened, and the baptistery and the Cappella della Santa Croce to the right and left of the present entrance were incorporated into the church. A new apse with the altar was built on to the west end, reversing the orientation so the entrance wouldn't face the town walls, which by then had been erected. The lower part of the facade is plain, but above it is a huge mosaic of Christ flanked by two angels with the 12 Apostles below, worked in the Italo-Byzantine style and attributed to Berlinghiero Berlinghieri. This is one of only two churches in all of Tuscany with a façade decorated in mosaics (the other is San Miniato al Monte in Florence). In the first chapel on the right is a very beautiful mid 12th-century font that was broken up in the 18th century and put together again in 1952. The fourth chapel on the left, the Cappella Trenta (1413), has a richly decorated Gothic marble polyptych with 15th-century bas-reliefs by Iácopo della Quercia, Madonna and Child with Saints.
Address: Piazza San Frediano, Lucca
7 Museo Nazionale (National Museum)
The Villa Guinigi was built for Paolo Guinigi, who ruled Lucca from 1400 to 1430, and now houses the National Museum's rich art collection. The building itself, with a loggia and sets of triple windows framed in arches, is typical of the Tuscan late Gothic style. The museum has particularly impressive collections of Etruscan and Roman sculpture, much of the former unearthed from a necropolis discovered at San Concordio in 1982. There is sculpture and other art from Lucca's medieval churches, including the 13th-century painted panel of the Crucifixion by Berlinghiero Berlinghieri and works by other Tuscan artists.
Address: Via della Quarquonia, I-55100 Lucca
8 Piazza Napoleone
Lucca's main square is bounded on the west side by the handsome facade of the Palazzo della Provincia, built from 1578 onwards on the site of the earlier Palazzo. To the southwest of the Palazzo della Provincia is the Church of San Romano, built by the Dominicans in 1280; the facade is unfinished. The church contains the Tomb of St. Romanus (1490). Near the northeast corner of the Piazza Napoleone is the little 12th-century church of San Giusto, with a severe facade of sandstone and bands of marble as well as a richly decorated main doorway. The interior was remodeled in Baroque style in the mid-17th century.
9 Palazzo Pfanner-Controni
The Palazzo Pfanner-Controni, just inside the walls on the north side of the old town of Lucca, was built in 1667. It is noted for its open two-story loggia with a staircase, a harmonious Renaissance creation. The beautiful Baroque garden was added in the 17th century, attributed to Filippo Juvarra, the architect responsible for so many works in Turin. Although not large, the garden manages to include monumental statuary, exotic trees, hedges, a lemon house, a pool, and a fountain in a harmonious arrangement that makes it seem much more spacious. Inside the palazzo are 18th-century frescoes by Pietro Paolo Scorsini, and a collection of medical implements.
Address: Via degli Asili 33, Lucca
10 Museo Puccini
The house in which the famous composer Giacomo Puccini was born on December 22, 1858 is now a small museum filled with personal mementoes of his life and work. Posters advertising his operas, musical scores, letters, and furnishings fill the small apartment, and a statue of the composer stands in the piazzetta outside. Puccini fans will also want to stop for an espresso at Di Simo Cafè in Via Fillungo, a favorite of artists and musicians, including Puccini; it still looks much as it did when Puccini frequented it, with its original furniture.
Address: Corte San Lorenzo 9, Via di Poggio, Lucca
Day Trips from Lucca
Above the coast north of Lucca, the town of Carrara is best known for its marble quarries, where Michelangelo went to personally choose perfect pieces for his works. The Cathedral of Sant'Andrea, built from the 11th through the 14th century, has a beautiful Romanesque and Gothic façade with a delicate rose window carved from local marble and a highly decorated doorway. The Madonna delle Grazie church also has sumptuous marble decoration. Another worthwhile tourist attraction, the Museo Civico del Marmo (Marble Museum) shows the history of marble, from the time of the Romans to its present-day artistic and technical uses. Here, you can compare different varieties of marble and see why Michelangelo favored Carrara's almost translucent stone for his important works. You can also visit the stonemasons' workshops and quarries themselves, above the town.