Bogazkale Tourist Attractions

Top Tourist Attractions in Bogazkale
Northeastern Central Anatolia
Situation and Importance
The village of Bogazkale (or Bogazköy), starting-out point for exploring the famous ruins of the Hittite capital of Hattusas (also Hattusa, Hattusha) as well as the neighboring rock sanctuary at Yazilikaya, lies on a bend in the Kizilirmak about 200km/124mi east of Ankara.

Ambarlikaya

About 300m/328yds east of the Great Temple in Bogazkale is a rocky height known as Ambarlikaya, with a large natural cave on the southeast side. Steps lead up to the summit where a watch-tower probably stood. From here a battlemented parapet of wooden galleried construction, quite separate from the main city wall, went steeply down into the valley between Ambarlikaya and Büyükkaya (the rocky height further to the northeast). Carried across the intervening 85m/280ft-wide gorge on a wooden bridge the footings of which can still be seen in the rock, it then joined up with the Büyükkaya fortifications on the other side.

Acropolis

The Hattusas Acropolis dates from the 3rd millennium B.C. and is remarkable for its imposing architecture and fine state of repair.

House on the Slope

Nothing much is known about the function of this building standing southeast of the Great Temple in Hattusas. Being on the route between the temple and the royal citadel it is assumed to be part of a considerably larger complex connected in some way with the temple. Stone socles with cult images carved in relief (now in the Istanbul Museum) were found in its vicinity. The two-storyed building consisted of a hall measuring 13 x 17m/43 x 56ft, an open, columned portal, a wide vestibule, several smaller rooms and a corridor. Underneath were kitchens, storerooms etc. The upper story faced uphill towards a pier-bordered square.

King's Gate

This, the best preserved of all the gates, is situated on the southeast side of the upper city of Hattusas. A ramp leads up through a small, partially enclosed, forecourt to a gate chamber, 6m/20ft wide, with once massive watchtowers. The entrance is guarded by a larger than life-size stone relief of a Hittite god, the original of which is in the Hittite Museum in Ankara. Armed with a battle-ax he is dressed as a warrior in a form of tunic with a broad belt and Dagger and a pointed cap adorned with bull's horns.

Lion Basin

Near the main entrance to the temple precinct in Hattusas lie the remains of a 5.8m/19ft-long basin, originally fashioned from a single massive block of limestone but now in four pieces. Carved with crouching lions its function is uncertain.

Lion Gate

Lion Gate, on the southwest side of the upper city of Hattusas, is the mirror-image of the King's Gate (the east wall of the gate chamber was reconstructed in 1965). Carved in relief on the doorjambs either side are the head and forequarters of a lion, guarding the gate with threateningly open jaws. Hollows in the stonework in front of the lions' paws suggest some form of cult significance. To the left, next to the fallen head of the westerly of the two lions, Hittite hieroglyphs are still faintly discernible in the bright noonday sun.

Museum

On the right-hand side of the road leading north out of Bogazköy there is a small museum illustrating the various phases of Hattusas's development. The array of items salvaged from the ruins make an interesting complement to the much more comprehensive collection in the Hittite Museum in Ankara.

Nisantepe

This rocky platform northeast of Sarikale was at one time crowned by some fairly substantial structure with a courtyard, of which nothing now remains. On an artificially smooth rock wall below the former entrance gate (excavations in progress) there is a badly weathered but still partly decipherable hieroglyphic inscription. It declares the author to be Suppiluliuma II and the inscription to be a list of his predecessors.

Upper Town Temple Town

As well as encircling the heights of Yenicekale, Sarikale, Nisantepe and the citadel hill, the walls surrounding the upper town of Hattusas enclose a gently stepped depression on the terrace-like slopes of which the foundations of a considerable number of buildings have been exposed. Initially five of these were identified as temples but, as a result of excavations carried out since 1978, that number has now grown to 25, revealing the area of be a veritable temple town. All exemplify a common overall pattern - an inner court giving access to a suite of cult rooms with a vestibule and main chamber. The vast majority (nineteen in all) seem to be built to a standard design, being similar in all important respects and of a uniformly small size (21.5 x 26.5m/70 x 87ft). They also appear to date from a specific architectural period between 1250 and 1220 B.C. The other six are different, being larger and less regular in plan, with more spacious forecourts.

Sarikale

Sarikale (Yellow Fort), occupying a rocky outcrop between Yenicekale and the acropolis in Hattusas, provides a graphic illustration of the boldness of Hittite rock architecture. It incorporated a temple, a walled cistern and a fortress complex with forecourt, inner courtyard and building wing. The possibility that this rock summit site had some special cult significance attaching to it cannot be ruled out.

City defenses

Portions of what was primarily an 8 m wide cyclopean wall still remain. It was built in phases during the 13th and 14th C.

South citadel

About 100m/109yds south of the royal citadel (Büyükkale) in Hattusas are what appear to be remnants of a second citadel, strategically placed on a double rock outcrop which drops away steeply on one side. Among the remains are those of a bastion-like defensive wall and houses.

Great Temple (Temple I)

The Great Temple at Hattusas was dedicated to the Weather God of Hatti and the Sun Goddess of Arinna.

Lower city

The majority of the buildings in the lower city of Hattusas surrounding the Great Temple to the southeast of the village of Bogazköy, are either the (earlier) farmstead type or the (later) so-called urban houses with a principal room. Both would have had more than a single story. The difference between them reflects the evolution of the population, from farmers cultivating land within the city boundaries to townsfolk proper. Below the temple complex are some warehouses dating from the New Kingdom, easily recognized by their large storage jars (pithoi). The impressive "blocks" of housing on the temple precinct's main thoroughfare were probably reserved for persons of privilege, possibly associated with the temple. Since in most cases only the foundations have survived, the houses were almost certainly of clay brick and timber-frame construction resting on rough stone foundations. Dressed stone was mostly only used in gates e.g for thresholds and doorjambs etc. The wall around the lower city was pierced in several places by unusual and intriguing posterns similar in construction to Yerkapi (eight have been identified), consisting of tunnels with end-gates guarded by towers. Although often referred to as sally-ports, historians are far from agreed on their purpose. The defenseworks, originally constructed towards the end of the Old Hittite period, were altered a number of times in the 14th/13th century B.C.

West Gates

The upper (slightly smaller) and lower West Gates in Hattusas gave access from the northernmost corner of the New City to the Budaközü and Yazir Çayi valleys. The gates themselves were similar to the King's and Lion Gates though lacking their decoration and forecourts.

Yazilikaya

At Yazilikaya, the 15th C B.C sanctuary displays some of the finest remaining Hittite period carved reliefs.

Large chamber

On both sides of the large chamber in Hattusas, which is southwest facing and almost 30m/98ft-long, friezes carved along the base of the rock wall depict a procession of gods, predominantly male on the left, female on the right. Among the exceptions are, left side, far end, Ishtar, goddess of love, and two female companions, recognized by their pleated skirts. All are shown advancing towards the narrow north wall where, in the climax to the scene, the two processions meet. Most of the figures have Hittite hieroglyphs above their outstretched hands, making it possible to identify them as divinities of Hurrian origin.
The relative importance of each god is reflected in his or her size, position in the order and name. Chief among them, leading the procession, is the weather god Teshup, armed and in Hittite warrior garb, borne aloft on the shoulders of two mountain gods. Facing him at the head of her own procession is Hepat his wife, standing on a panther, its four feet resting on mountain peaks. In the background can be seen the weather god's two sacred bulls. To the left the Hattusas weather god with a mace on his shoulder straddles two mountain tops while, on the right, Sharrumma, son of Teshup and Hetap, rides on another panther. The figures above the double eagle are those of the goddess's daughter and granddaughter. While the goddesses in the procession are generally portrayed in near identical fashion, the gods are in many cases individualized, distinguished by their respective attributes and clothing. Of these the most eye-catching are the moon god with the crescent moon above his pointed cap, the sun god with a rounded cap beneath a winged sun-disc, and two bull-headed gods standing Atlas-like on a symbol of earth, holding up the sky.
The most impressive relief of all, on the rear of a rock spur, shows the Hittite King Tuthaliya IV standing on scaly mountain peaks, with a rounded cap, long mantle and crooked scepter. In his right hand are the combined insignia of his kingly power and rank, a winged sun-disc, conical volute and flower Dagger. Despite being Hittite the king would certainly have held the gods of the Hurrian pantheon sacred, not least because his mother (Puduhepa) was in all probability a Hurrian priestess herself. The "assembled" gods are presumed to be those of Hattusas's many temples, shown "processing" to the sanctuary at Yazilikaya (accompanied by the human worshippers) for the spring or new year festival.

Small chamber

The most recent research suggests that the small chamber served both as a funerary temple and, after his death, as a shrine to King Tuthaliya IV. Guarded by a pair of winged demons with lions' heads, the 18m/59ft-long side chamber, varying in width between 2.5 and 4m/8 and 13ft, is entered via a slightly raised passageway leading through a cleft in the rock. The impression conveyed is of entering a narrow gallery, its smooth walls carved with four separate and thematically unconnected reliefs. Immediately inside, near a curve in the east wall, is a repeat of the Tuthaliya IV cartouche from the main chamber. This is followed by the so-called "sword god", a relief of a great sword with a human head for the pommel and four lions for the hilt (possibly based on Nergal, the Mesopotamian god of the underworld).
On the wall opposite are "the Twelve Gods", a simple frieze of stereotyped male divinities similar to those of the processional relief in the large chamber. Finally, on the east wall, is seen the most striking of the four reliefs, showing the god Sharrumma embracing King Tuthaliya. The accompanying inscriptions pay homage to the king as a heroic figure, deified as a mountain god and evidently enjoying divine protection. Some 2m/6.5ft from the north wall is a limestone pedestal on which stood a statue of Tuthaliya, erected after the king's death by his son Shuppiluliuma II. Remains of the statue, found in the village of Yekbaz, indicate it was over 3m/10ft tall. The niches in the walls are thought to have been for cremation urns.

Yerkapi

This Sphinx Gate, at the central axis of Hattusas, along with the tunnel, earthen rampart, and staircase ramps, is a symmetrical masterpiece of Hittite architecture.
Map of Bogazkale Attractions