Haarlem - Frans Hals Museum

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kind of civic militia or town guard. The first group portraits (doelenstukken), painted in Amsterdam in the early 16th century, were merely an assemblage of individual portraits. Frans Hals contrived to combine the individual members of the group in a dynamic scene of action with something of the effect of a snapshot, as in his pictures of the farewell banquets of the marksmen's guilds of St George (1616) and St Adrian (1627).

Frans Hals also painted group portraits of regents (the governors of merchants' guilds and charitable institutions), such as his portraits of the regents and regentesses of the old men's home (both painted in 1664). The collection also includes many 17th century portraits, still lifes, genre scenes and landscapes (Adriaen van Ostade, Jacob van Ruisdael, Johannes Verspronck, Jan de Bray, Pieter Claesz, Willem Heda, etc.), as well as Haarlem silver, an old doll's house and a reconstruction of a pharmacy with jars of Delft ware.

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, Jan Sluyters, Karel Appel, Reinier Lucassen and Herman Kruyder.

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fostered a great cultural flowering. In 1583 Carel van Mander, a Flemish painter, came to Haarlem and, influenced by his study of Italian Renaissance art, developed the practice of painting large pictures on Biblical and historical themes, based on a profound knowledge of anatomy. With Hendrick Goltzius and Cornelis Cornelisz he founded the "Haarlem Academy", which marks the high point of Dutch Mannerism. Of particular significance in this respect were the allegorical and mythological figures in rather contrived postures painted by Cornelisz, particularly in erotic scenes. His group portraits of marksmen's guilds prepared the way for Frans Hals, the liveliest and most expressive of all Dutch painters, whose group portraits of marksmen and regents rank as the principal treasures of the museum.