Florence - Santo Spirito 



Several wealthy Florentine families joined forces in the early years of the 15th century to build a new church on the site of one that had been burned down. They commissioned Brunelleschi, the city's famous architect, to design it. At the time of his death (1446) building work had progressed as far as the vaulting, but then it practically came to a standstill under various architects (bell-tower: Baccio d'Agnolo, 1503-1517) and was never completed wholly in accordance with the original plans. This is why the austere exterior of the building gives no hint of the fact that Santo Spirito inside is one of the purest Renaissance churches.
The facade of the church, which was consecrated in 1481, dates from the 18th century and is totally without decoration, just bare plaster. Its principal feature is its outline and the large round window in the center. There are three different-sized doors in the facade, one each for the nave and the two aisles.
The facade of the church, which was consecrated in 1481, dates from the 18th century and is totally without decoration, just bare plaster. Its principal feature is its outline and the large round window in the center. There are three different-sized doors in the facade, one each for the nave and the two aisles.
Hobbies & Activities category: Paintings, art collections; Christian sites; Architecture - Renaissance
Attractions within Santo Spirito
Apse
In the apse, on the left-hand side, can be seen an "Annunciation" (15th century Florentine school) and a Nativity by the school of Ghirlandaio, while on the right there is a polyptych by Maso di Banco (ca. 1340).Cenacolo
The entrance to the Cenacolo di Santo Spirito is to the left of the church. This refectory is all that remains of the old Augustinian monastery, and it contains the great fresco of the Last Supper
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Cloisters
Another door in the vestibule leads into the first cloister, which is by Giulio and Alfonso Parigi (ca. 1600). The second cloister, built by Ammanati between 1564 and 1569, is usually not open to
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Crossing
In the crossing is Caccini's early Baroque baldachin altar, richly ornamented with pietra dura.Interior
The interior is on the plan of a Latin cross 97m/318ft long, 32m/108ft wide, 58m/190ft in the transept, with a colonnaded central nave and side aisles and forty semicircular side-chapels backing on
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Internal Facade
The rose-window in the facade was designed by Perugino ("Descent of the Holy Ghost").Left Arm of the Transept
In the first chapel Michele Ghirlandaio's "Ascent of Calvary" and the window are worth seeing. The adjoining chapel has Raffaele di Carli's panel "Madonna in Majesty" (1505). In the next but one
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Right Arm of the Transept
The right arm of the transept holds the altarpiece that is the most important work in the church, the "Madonna and Child with Saints and Donors" by Filippino Lippi (1490).Sacristy
In the left aisle is the entrance to a beautiful vestibule built by Cronaca (1492-1494) with a door leading into the sacristy, an octagonal chamber designed by Giuliano da Sangallo (1495/1496) and a masterpiece of European architecture.Attractions Near Santo Spirito, Florence
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