Chichester Cathedral

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Skelton; it is executed in Cornish stone with a copper basin. The third side chapel off the south aisle contains a monument to Agnes Cromwell by the neo-Classical sculptor John Flaxman; the altar cloth with the icon of the heavenly light is the work of Cecil Collins. The pulpit (1966) in the nave was made by Robert Potter and Geoffrey Clarke, using reinforced concrete, aluminum and leather covered wood; the choir screen in contrast is Late Gothic and dates from 1475. Both transepts are embellished with interesting 16th century paintings by a local artist Lambert Barnard, reflecting aspects of the cathedral's history.

In the south choir aisle are two exceptionally fine Romanesque stone panels (ca. 1130-40) depicting with quite extraordinary expressiveness the Arrival of Christ at Bethany and the Raising of Lazarus. The panels are reckoned among the finest examples of Norman sculpture seen in England. A tapestry by John Piper on the theme of the Trinity adorns the altar screen. The tomb of St Richard, Bishop of Chichester from 1245 to 1253, in the Retrochoir, used to attract many pilgrims in the Middle Ages. The shrine, having been destroyed in 1538, was restored in 1984-85 with a tapestry by U. Becker-Schirmer and altar decoration by G. Clarke. In the southeast corner of the choir hangs Graham Sutherland's painting "Noli me Tangere" (1962). The Lady Chapel has 12th-14th century ornamentation and a ceiling painting by Lambert Barnard (1533). In the north choir aisle is an impressive stained glass window in bright shades of red by Marc Chagall, inspired by the 150th psalm "In Praise of God". Set into the floor of the north transept can be seen the tomb of the composer Gustav Holst (1874-1934). A door in the east wall of the transept leads through to the Treasury.