Bruges - Sint-Salvatorskathedraal
From the Onze Lieve Vrouwkerk the short Heilige Geeststraat makes its way past the Bishop's Palace (16th-18th C.) to Sint-Salvatorskathedraal, the oldest parish church in Bruges and a cathedral since 1834. Originally founded in the 10th C. most parts of the present building date from the 12th and 13th centuries.
The fortress-like 99m/325ft-high west tower was constructed in several phases, the lower Romanesque portion between 1116 and 1227 and the brick section between 1183 and 1228.
Building continued in the 15th C. and again in the 19th C., the Neo-Romanesque upper part being added between 1844 and 1846 and the steeple in 1871. Over the centuries the cathedral has survived four fires as well as the iconoclastic fury.
The fortress-like 99m/325ft-high west tower was constructed in several phases, the lower Romanesque portion between 1116 and 1227 and the brick section between 1183 and 1228.
Building continued in the 15th C. and again in the 19th C., the Neo-Romanesque upper part being added between 1844 and 1846 and the steeple in 1871. Over the centuries the cathedral has survived four fires as well as the iconoclastic fury.
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Must-see attractions nearby:
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Things to See
Sint-Salvatorskathedraal Interior 
The 101m/331ft-long interior, distinguished by its harmonious proportions, contains some noteworthy furnishings. Outstanding are the Baroque rood-screen with a figure of God the Father by Artus Quellin the Younger, the 15th C. choir stalls embellished with the coats of arms of Knights of the Golden Fleece and, above the stalls, Brussels tapestries made in 1731.
The cathedral organ is famous for its magnificent case.
The cathedral organ is famous for its magnificent case.
Sint-Salvatorskathedraal Museum 
There are priceless art treasures in the cathedral museum off the right transept. In the cloister are six fine brass 14th-16th C. tomb plates. Displayed in the various rooms are liturgical accouterments and several superb Old Flemish paintings including a triptych "Martyrdom of St Hippolytus" by Dirk Bouts, the left wing of which is thought to be by Hugo van der Goes, and a polyptych by Pieter Pourbus with a Last Supper on the center panel.