Ossios Loukas Monastery Óssios Loukás (Hosios Loukas)
The monastery of Óssios Loukás occupies an isolated situation in the Helikon range near the Gulf of Corinth. It is reached on a road (13km/ 8mi) which runs south from the Livadiá-Delphi road by way of the village of Dístomo (rebuilt after its destruction during the World War II). Its mosaics rank along with those of Dafní, near Athens, and the Néa Moní on Chios as the finest examples of 11th century mosaic art.
|
Must-see attractions nearby:
|
This St Luke - Óssios Loukás, as distinct from Áyios Loukás, the Evangelist - was born about 898 in Kastoriá, the village now known as Kastrí on the site of Delphi, and lived from about 910 as a hermit in Phocis, where he died, much revered, on February seventh 953. Between 941 and 944 the Byzantine governor of the region built a chapel dedicated to St Barbara at his hermitage. Round this developed the monastery which now dominates its lonely surroundings with its two magnificent churches standing side by side.
In the monastic buildings, which include the monks' refectory (trápeza), there is a small cafe (near the entrance, on the left).
In the monastic buildings, which include the monks' refectory (trápeza), there is a small cafe (near the entrance, on the left).
Things to See
Church of the Theotokos / principal church
The two churches, the principal church dedicated to St Luke and the other to the Theotókos (Mother of God), both follow the Middle Byzantine pattern of the domed cruciform church. The deep narthex (lití) of the church of the Theotókos is characteristic of a monastic church. The monastery was damaged during the World War II and was thoroughly restored between 1953 and 1962, particular attention being given to the splendid mosaics dating from the first half of the 11th century. In the course of the restoration work a number of windows which had previously been walled up were reopened, making the principal church lighter and enhancing the spatial effect.
Three factors contribute to the powerful effect of the principal church. As at Dafní and the Néa Moní, the large central dome, borne on eight piers, spans both the central and the lateral aisles; the marble facing of the walls - missing at Dafní - has been preserved; and most of the mosaics, which were the work of artists from Constantinople and are of the highest quality, have been preserved or restored.
Three factors contribute to the powerful effect of the principal church. As at Dafní and the Néa Moní, the large central dome, borne on eight piers, spans both the central and the lateral aisles; the marble facing of the walls - missing at Dafní - has been preserved; and most of the mosaics, which were the work of artists from Constantinople and are of the highest quality, have been preserved or restored.
Mosaics 
The subjects of the mosaics, which are notable for their dramatic vigor, are arranged according to the hierarchical rules which had been established by the ninth century. In the narthex are scenes from the Passion, together with figures of angels, saints and the Evangelists. Over the doorway into the church is a figure of Christ as the Light of the World. The mosaic of Christ in the central dome was destroyed when the dome collapsed in 1593.
In the squinches under the dome are the Nativity (SE), the Presentation in the Temple (SW) and the Baptism of Christ (NW). In the dome over the sanctuary are the Etimasia (the Preparation of the Throne) and the Descent of the Holy Ghost (Pentecost), in the apse the Mother of God as Panayía Platytéra.
In the north aisle, on the left, is a portrait-like figure of Ossios Loukas, who is given the style of saint, though he was never officially canonized. Opposite is the shrine containing the saint's relics, directly above his sarcophagus in the crypt.
In addition to St Luke other saints of the period of only local importance are included in the iconographic scheme, among them St Nikon Metanoeite, who evangelized Sparta (west end of south aisle) and St Luke the Gournikiote (west end of north aisle).
In the squinches under the dome are the Nativity (SE), the Presentation in the Temple (SW) and the Baptism of Christ (NW). In the dome over the sanctuary are the Etimasia (the Preparation of the Throne) and the Descent of the Holy Ghost (Pentecost), in the apse the Mother of God as Panayía Platytéra.
In the north aisle, on the left, is a portrait-like figure of Ossios Loukas, who is given the style of saint, though he was never officially canonized. Opposite is the shrine containing the saint's relics, directly above his sarcophagus in the crypt.
In addition to St Luke other saints of the period of only local importance are included in the iconographic scheme, among them St Nikon Metanoeite, who evangelized Sparta (west end of south aisle) and St Luke the Gournikiote (west end of north aisle).
St Barbara's Chapel
The chapel of St Barbara (Ayía Varvára) has been preserved as the crypt of the principal church. It contains the sarcophagus of St Luke and two other sarcophagi, traditionally believed to contain the remains of the Byzantine Emperor Romanos II (959-963) and Empress Theophano. There are a number of wall paintings, including a Last Supper (on the south side of the east wing).
Hours
April 1 to October 31
| Mon | Tue | Wed | Thu | Fri | Sat | Sun | |
|---|---|---|---|---|---|---|---|
| Open | 8:00 | 8:00 | 8:00 | 8:00 | 8:00 | 8:00 | 8:00 |
| Close | 14:00 | 14:00 | 14:00 | 14:00 | 14:00 | 14:00 | 14:00 |
| Open | 16:00 | 16:00 | 16:00 | 16:00 | 16:00 | 16:00 | 16:00 |
| Close | 18:00 | 18:00 | 18:00 | 18:00 | 18:00 | 18:00 | 18:00 |
November 1 to March 31
| Mon | Tue | Wed | Thu | Fri | Sat | Sun | |
|---|---|---|---|---|---|---|---|
| Open | 8:30 | 8:30 | 8:30 | 8:30 | 8:30 | 8:30 | 8:30 |
| Close | 15:00 | 15:00 | 15:00 | 15:00 | 15:00 | 15:00 | 15:00 |
Facilities
Restaurant or food service