Bhaktapur - Nyatapola Mandir 
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Since the name of the Tantric goddess remains unknown the temple is called Nyatapola (Five Storied), making it unique in the Kathmandu valley where temples are always named after their deities.
Nyatapola Mandir is the tallest in the valley, rising to a height of 50 m (164 ft) on a five-tiered platform which further enhances its monumental effect. The foot of the stairway is flanked by the so-called Dvara Pallas, two legendary wrestlers Jayamel and Phattu, credited with the strength of ten men. Above them in turn come two elephants, two lions, two griffins and at the top the Tantric goddesses Baghini in the shape of a tiger and Simhini as a lion - a hierarchy of beings each ten times more powerful than the one below. Surpassing all in strength is the Tantric goddess of the temple on whose image only Brahmins can set eyes.
The temple is distinguished not only by its size but also its perfect proportions and ornamental detail. The 20 columns of the veranda appear at once slender yet strong, all being beautifully carved, as are the door frames. Even more breathtaking is the carving on the 108 struts supporting the five roofs. The various forms of the Bhagawati Mahishamardini and other deities are portrayed with great artistry.
Nyatapola Mandir is the tallest in the valley, rising to a height of 50 m (164 ft) on a five-tiered platform which further enhances its monumental effect. The foot of the stairway is flanked by the so-called Dvara Pallas, two legendary wrestlers Jayamel and Phattu, credited with the strength of ten men. Above them in turn come two elephants, two lions, two griffins and at the top the Tantric goddesses Baghini in the shape of a tiger and Simhini as a lion - a hierarchy of beings each ten times more powerful than the one below. Surpassing all in strength is the Tantric goddess of the temple on whose image only Brahmins can set eyes.
The temple is distinguished not only by its size but also its perfect proportions and ornamental detail. The 20 columns of the veranda appear at once slender yet strong, all being beautifully carved, as are the door frames. Even more breathtaking is the carving on the 108 struts supporting the five roofs. The various forms of the Bhagawati Mahishamardini and other deities are portrayed with great artistry.
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